Uma versão aramaica do “Pai Nosso”

Cardiac Wallpaper
“Pai-Mãe, respiração da Vida, fonte do som, ação sem palavras, Criador do Cosmos ! Faça sua Luz brilhar dentro de nós, entre nós e fora de nós, para que possamos torná-la útil. Ajude-nos a seguir nosso caminho, respirando apenas o sentimento que emana do Senhor. Nosso EU, no mesmo passo, possa estar com o Seu, para que caminhemos como Reis e Rainhas com todas as outras criaturas. Que o Seu e o nosso desejo, sejam um só, em toda a Luz, assim como em todas as formas, em toda existência individual, assim como em todas as comunidades. Faça-nos sentir a alma da Terra dentro de nós, pois, assim, sentiremos a Sabedoria que existe em tudo. Não permita que a superficialidade e a aparência das coisas do mundo nos iluda, e nos liberte de tudo aquilo que impede nosso crescimento. Não nos deixe ser tomados pelo esquecimento de que o Senhor é o Poder e a Glória do mundo, a Canção que se renova de tempos em tempos e que a tudo embeleza. Possa o Seu amor ser o solo onde crescem nossas ações.
Que assim seja.”
Tony Pinkevich - Swallow
via:
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Ship launches

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Anarchy Symbol @

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While anarchists have historically largely denied the importance of symbols to political movement, anarchists have embraced certain symbols for their cause, including most prominently the circle-A and the black flag. Since the revival of anarchism at the turn of the 21st-century concurrent with the rise of the anti-globalization movement, anarchist cultural symbols are widely present.

The Circle-A is almost certainly the best-known present-day symbol for anarchy. It is a monogram that consists of the capital letter “A” surrounded by the capital letter “O”. The letter “A” is derived from the first letter of “anarchy” or “anarchism” in most European languages and is the same in both Latin and Cyrillic scripts. The “O” stands for order. Together they stand for “Anarchy is Order,” the first part of a Proudhon quote. This character can be written as Unicode codepoint U+24B6: Ⓐ. In addition, the “@” sign or “(A)” can be used to quickly represent the circle-A on a computer.

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The first recorded use of the A in a circle by anarchists was by the Federal Council of Spain of the International Workers Association. This was set up by the freemason, Giuseppe Fanelli in 1868. It predates its adoption by anarchists as it was used as a symbol by freemasons amongst others. According to George Woodcock, this symbol was not used by classical anarchists. In a series of photos of the Spanish Civil War taken by Gerda Taro a small A in a circle is visible chalked on the helmet of a militiaman. There is no notation of the affiliation of the militiaman, but one can presume he is an Anarchist. The first documented use was by a small French group, Jeunesse Libertaire (“Libertarian Youth”) in 1964. Circolo Sacco e Vanzetti, youth group from Milan, adopted it in and in 1968 it became popular through out Italy. From there it spread rapidly around the world

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As noted above, the circle-A long predates the anarcho-punk movement, which was part of the punk rock movement of the late 1970s. However, the punk movement helped spread the circle-A symbol more widely, and helped raise awareness of it among non-anarchists. This process began with the use of anarchist imagery by the Sex Pistols, though Crass were the first punk band to use the circle-A as well as being the first to espouse serious anarchist views. They had earlier discovered it – then merely an extremely esoteric political emblem – while traveling through France. With time the symbol, and “anarchy” as a vague synonym for rebelliousness, were incorporated into common punk imagery. tumblr_ne9xon5cGL1qz6f9yo1_1280This led to gradual appearances in mainstream culture over the course of several years, at times far removed from its political origin (described by Situationists as “recuperation”). These appearances typically connected it with anarchy and were intended as sensationalist marketing ploys, playing off of mainstream association of anarchy with chaos. This process mirrored the process of punk subculture coming into the mainstream, which occurred at approximately the same time.

wikipedia

symbols.com

via:

https://clearcircle.wordpress.com/page/5/

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“Tchin-Tchin”

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Epicycloid

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In geometry, an epicycloid is a plane curve produced by tracing the path of a chosen point of a circle — called an epicycle — which rolls without slipping around a fixed circle. It is a particular kind of roulette.

If the smaller circle has radius r, and the larger circle has radius R = kr, then the parametric equations for the curve can be given by either:

x (\theta) = (R + r) \cos \theta - r \cos \left( \frac{R + r}{r} \theta \right)
y (\theta) = (R + r) \sin \theta - r \sin \left( \frac{R + r}{r} \theta \right),

or:

x (\theta) = r (k + 1) \cos \theta - r \cos \left( (k + 1) \theta \right) \,
y (\theta) = r (k + 1) \sin \theta - r \sin \left( (k + 1) \theta \right). \,

If k is an integer, then the curve is closed, and has k cusps (i.e., sharp corners, where the curve is not differentiable).

If k is a rational number, say k=p/q expressed in simplest terms, then the curve has p cusps.

If k is an irrational number, then the curve never closes, and fills the space between the larger circle and a circle of radius R + 2r.

wikipedia

via:

https://clearcircle.wordpress.com/page/2/

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Unus Mundus

2007aa Jungian concept in which human elements are simultaneously separate and unified, eliminating

tribal-sun-and-moon-tattoo-designsdisharmony on our journey to wholeness …or in Jungian terms, the pulse of the universe. The inner world of fantasy, imagination and dreams cross over into outer events. This ties into Jung’s Theory of Synchronicity as well (meaning acausal connection of two or more psycho-physic phenomena, or “meaningful coincidences,” by which the individual attains a greater understanding of self)

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via:

http://www.aphroditewomenshealth.com/xf2/threads/jung-unus-mundus-theory-of-synchronicity.11946/

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installing 2015

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charcoal of police in Ferguson

 

 

 

Why a charcoal of police in Ferguson is the most important artwork of 2014

Robert Longo

Robert Longo’s powerful drawing of police holding back protesters in Ferguson is a vital record of the resurgence of racism and a history painting for our time.

via:

http://www.theguardian.com/artanddesign/jonathanjonesblog/2014/dec/18/robert-longo-ferguson-artwork-most-important-2014

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V Time – read it Online

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Smile upon Me – Passion Pit cover

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Under Wings

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Silent Witness

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Pocket Square

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